Synthesizer Sequencer Sampler Mastering

Synthesizer

16 tracks (1 x 5-voice polyphonic track + 15 x 4-voice paraphonic or mono tracks)*
full-control single grand unified engine with 18 versatile synthesis algorithms
per voice; 2 oscillator models + 1 versatile sine super/sub-oscillator
17 low-aliasing oscillator models + up to 256 user-defined oscillators or samples
Virtual Analog, FM, Super Saw, AM, RingMod, x0x percussion, time warp, more
Wavetable synthesis with 2 wavetable oscillators per voice, 8 built-in wavetables, custom wavetable import
multi-mode filter per voice (16 types)
extensive per-voice FX; simultaneous distortion (2 types), saturation, pre/post filter bit crushing, down-sampling, 4 x multi-FX sends
2 x AEG, 1 x FEG, 7 x fixed LFOs per voice
170+ patch presets
2 synthesized timbres (or 32 samples) per track with unique per-step "DNA" dynamic generative patch cross-breeding
special attention for emulating vintage digital, analog and organic sounds and behaviors
extensive, complex sound design capabilities with 100+ parameters per timbre
intelligent patch randomization for infinite patch variations
can be used as standalone 16-part sound module

Sequencer

16 songs x 16 tracks x 16 patterns x 16 steps
fast workflow; create new intricate song ideas in minutes
polyrhythms, arpeggio and x0x-style patterns
extensive generative abilities with "replicable" random events
per-step conditionals, 100+ step modifier types, probabilities
content-aware intelligent pattern and chain randomization
use scales, modes, chord types and inversions, w/o music theory
fast diatonic playing/programming mode
chord recognition from external MIDI connected gear
pattern chaining, pattern muting conditions
micro-timing, swing and groove control
live punch & dub recording with optional quantization
song mode with per-fragment transformation, automation, programmable DJ FX / looper
send sync and MIDI to control connected gear (CC, patch changes, banks, etc.)
export songs, dry & wet stems as .WAV and .MID files for use in DAW / hybrid workflow
undo functionality

Sampler

2m4s total across 2 banks @ 44.1kHz 8-bit mu-law (~12-bit effective) / 22.05kHz 16-bit**
reconstructive up-sampling to 44.1kHz 16-bit
512 total samples: 2 x banks x 16 user kits x 16 slices
dedicated 3.5mm line-input with optional direct mic-level sampling***
vocoder; imprint voice on audio
skip-back "always recording" sampling of past audio
digital sample import via MIDI connection
compatible with Teenage Engineering OP-1 / OP-Z drum kits****
real-time time stretching and pitch shifting
auto-slicing, manual slice, chop, re-arrange samples
add new oscillators, one-shots and loops
multi-sampled instrument support
random multi-sample variation triggering
use live audio as an oscillator model
re-sample internal synthesizer
automatic space management and optimization
undo functionality

Mastering & FX

per-voice 3-band parametric EQ (cut/keep/boost and frequency) with aural exciter mode
per-voice upward or downward compressor/transient shaper
per-voice FX shimmer via osc 3
4-bus multi-send/receive routable side-chaining and gating
pre-FX send high pass filter
3-band master compressor with 4 algorithms
OTT ("over-the-top") compressor with full controls
vinyl and colored (tape) noise floor effects
mid/side processing with stereo width boost and bass monofy controls
extensive programmable DJ effects (noise, drone, HP/LP filter, buffered audio, stutter)
2 x "DJ FX" dynamic resampling loop buffer @ 44.1kHz 16-bit stereo
global pro reverb with damping, pre-delay, modulation controls and early reflection
global chorus or comb/phaser
global 2 x delay units

* polyphony restrictions may apply depending on DSP resources
** only one of two 1m2s sample banks may be used per song
*** direct unamplified mic-level sampling only recommended for recording basic voice samples and vocoder input
**** first 16 samples only, "Teenage Engineering" and "OP-1" are registered trademarks of Teenage Engineering AB