- Sound design
- Architecture
- Oscillators
- Algorithms
- Low Frequency Oscillators (LFOs)
- Envelope generators
- Filters
- Amplitude modulation
- Pitch modulation
- Panning & EQ
- Dynamics, Sidechaining, Gating, Ducking, Compression and Transient Shaping
- Distortion, Saturation, Bit-crushing
- Global Send Multi-effects
- DJ FX
- Wavetable Synthesis
- A word about authenticity
- Amplitude page
- L.1.dE
6. L.1.de LFO1 depth
Specifies the strength by which the LFO should affect the filter.
Negative values invert the waveform, causing, for example, a square wave to be 0/"off" and then 1/"on", as opposed to the being 1/"on" and then 0/"off" (or similarly a sine, triangle or saw wave ramp down, rather than up).
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- Terms, Conditions and Warranty (under Shop)
- 8. L.1.ho hold duration for cutoff frequency LFO (under Amplitude page)
Specifies the hold duration in milliseconds for which the LFO should hold the LFO's sampled value.
- 12. d.V.St Drone Pitch End (under DJ page)
Pitch of the drone (sine wave) tone at the end of the fragment in MIDI semitones.
- 9. d.V.St Drone Volume Start (under DJ page)
Volume of the drone (sine wave) tone at the start of the fragment.
- 10. d.V.St Drone Volume End (under DJ page)
Volume of the drone (sine wave) tone at the end of the fragment.
- Sound design
- Architecture
- Oscillators
- Algorithms
- Low Frequency Oscillators (LFOs)
- Envelope generators
- Filters
- Amplitude modulation
- Pitch modulation
- Panning & EQ
- Dynamics, Sidechaining, Gating, Ducking, Compression and Transient Shaping
- Distortion, Saturation, Bit-crushing
- Global Send Multi-effects
- DJ FX
- Wavetable Synthesis
- A word about authenticity