- Guides, tutorials and docs
- Learning the Woovebox
- The very basics
- Quick start guide and video
- Tempo and BPM
- Tracks
- Patterns
- Live pattern recording
- Conditional triggering and modification
- Chords
- Arpeggios
- Scales and modes
- Genres
- Patches and Presets
- Sound design
- Paraphonic parts
- Multi-instrument mode
- Risers, fallers, sweeps & ear candy
- Live mode
- Song mode
- Full song writing
- Sampler & vocoder
- Sidechaining, gating, ducking and compression
- Mastering
- Lo-fi & vintage analog and digital emulation
- Randomization
- Hall effect sensor playing
- Advanced techniques
- Undo
- Boot modes
- MIDI, Sync and connecting other gear
- Remote control expander mode
- Wireless MIDI
- Battery and charging
- Hardware quirks and limitations
- Understanding DSP load
- Looking after your Woovebox
- Firmware updates
- Guides, tutorials and docs
- Mastering
Mastering
Mastering is all about making sure each element of your song is audible, while reducing any clashing (aka "muddiness") as much as possible.
Your Woovebox offers a great number of ways to clean up your final mix or give it more punch;
- Use the master compressor to level-out loudness
- Use the compressor / limiter to level-out loudness for individual tracks
- Use the compressor / limiter to do transient shaping for individual tracks
- Use the effects ducking to duck the global effects in response to a track's loudness
- Use a track's ducking options to duck a its send effects amount
- Use side-chaining to control the volume of other tracks
- Use the amplitude-based noise generator to add subtle sizzle to your tracks (you can select the noise characteristic 6/Sn on song Glob page, you can audition the noise with a positive value for 5/Ki on song Glob page). Negative values (exponential response to a track's amplitude) for the amplitude-based noise usually works best.
- Use the third super or sub-oscillator to add "body" to a track's patch
- Use wave-folding distortion to add harmonic content to a track's patch
Additionally, you may use the various panning techniques to free up frequency space in the two channels. The Pitch-to-pan feature spaces out note pitches over the stereo field, making it easy to juxtapose different tracks to efficiently use the frequency space.
Finally, use the master compressor / limiter to level out global loudness. Listen to the final mix on as many devices, headphones and speakers as you can.
You may also be interested in...
- Terms, Conditions and Warranty (under Shop)
- 3. rESo Resonance (under Filter page)
- 11. SuSt Filter Envelope Generator Sustain (under Filter page)
- 9. Attk Filter Envelope Generator Attack (under Filter page)
- 8. C2EF Filter to effects (under Filter page)
Using the C2EF parameter, the filter cut-off can be made to influence the effect sends to reverb and delay 1.
- Guides, tutorials and docs
- Learning the Woovebox
- The very basics
- Quick start guide and video
- Tempo and BPM
- Tracks
- Patterns
- Live pattern recording
- Conditional triggering and modification
- Chords
- Arpeggios
- Scales and modes
- Genres
- Patches and Presets
- Sound design
- Paraphonic parts
- Multi-instrument mode
- Risers, fallers, sweeps & ear candy
- Live mode
- Song mode
- Full song writing
- Sampler & vocoder
- Sidechaining, gating, ducking and compression
- Mastering
- Lo-fi & vintage analog and digital emulation
- Randomization
- Hall effect sensor playing
- Advanced techniques
- Undo
- Boot modes
- MIDI, Sync and connecting other gear
- Remote control expander mode
- Wireless MIDI
- Battery and charging
- Hardware quirks and limitations
- Understanding DSP load
- Looking after your Woovebox
- Firmware updates