- Guides, tutorials and docs
- Learning the Woovebox
- The very basics
- Quick start guide and video
- Tempo and BPM
- Tracks
- Patterns
- Live pattern recording
- Conditional triggering and modification
- Chords
- Arpeggios
- Scales and modes
- Full song writing
- Genres
- Presets
- Sound design
- Paraphonic parts
- Multi-instrument mode
- Risers, fallers, sweeps & ear candy
- Live mode
- Song mode
- Sampler
- Sidechaining, gating, ducking and compression
- Mastering
- Lo-fi & vintage analog and digital emulation
- Randomization
- Advanced techniques
- Undo
- Boot modes
- MIDI, Sync and connecting other gear
- Wireless MIDI over BLE
- Battery and charging
- Hardware quirks and limitations
- Understanding DSP load
- Looking after your Woovebox
- Firmware updates
- Patterns
- FLW.c
9. FLW.C Follow Chord Override
Specifies an optional override of the global ('GLob' page) follow chord (4/FLW.C) behavior.
The same settings are available as for the global "follow chord" parameter with the exception 'GLob' indicating no override (use global setting on 'GLob' page)
- 'GLob' (no override); use global setting on 'GLob' page.
- 'OFF' (off); no adaptation of sequenced notes is performed. Live played notes are adapted to always be in the key and scale of the song.
- 'LGL'. Sequenced and live played notes are adapted to always be in the key and scale of the song. A common use case is live recorded or improvised leads.
- 'trS.1'. Sequenced and live played notes are transposed by the root note of the chord, and then adapted to always be in the key and scale of the song. A common use is generative leads.
- 'trS.2'. Sequenced and live played notes are transposed by the second note of the chord, and then adapted to always be in the key and scale of the song. A common useis generative leads.
- 'trS.3'. Sequenced and live played notes are transposed by the second third of the chord, and then adapted to always be in the key and scale of the song. A common use is generative leads.
- 'CLS.3'. Sequenced and live played notes are adapted to always play the note of the current chord that is closest in pitch - only the first three notes of the chord are considered. A common use case is arpeggios.
- 'CLS.A'. Sequenced and live played notes are adapted to always play the note of the current chord that is closest in pitch. A common use case is arpeggios.
- 'root'. Sequenced and live played notes are adapted to play the root note of the current chord. A common use case is basslines.
- 'tr.1.5'. Sequenced and live played notes are transposed by the root note of the chord, and then adapted to always be in the key and scale of the song, inclusive of the root + 7 semitones("fifth") as a valid note. A common use is generative leads.
- 'tr.2.5'. Sequenced and live played notes are transposed by the second note of the chord, and then adapted to always be in the key and scale of the song, inclusive of the root + 7 semitones("fifth") as a valid note. A common use is generative leads.
- 'tr.3.5'. Sequenced and live played notes are transposed by the third note of the chord, and then adapted to always be in the key and scale of the song, inclusive of the root + 7 semitones("fifth") as a valid note. A common use is generative leads.
- 'CL.3.5'. Sequenced and live played notes are adapted to always play the note of the current chord or root + 7 semitones("fifth") that is closest in pitch - only the first three notes of the chord are considered. A common use case is arpeggios.
- 'CL.A.5'. Sequenced and live played notes are adapted to always play the note of the current chord or root + 7 semitones ("fifth") that is closest in pitch. A common use case is arpeggios.
- 'roo.5'. Sequenced and live played notes are adapted to play the root note or root + 7 semitones ("fifth") of the current chord. A common use case is Motown-style basslines.
Please note that chord adaptation is ignored if track behavior ('bEhv') is set to "sample kit" ('SMP.K'). The follow chord override option is not available on the chord ('Cd') track itself.
You may also be interested in...
- Chord progression without inversions (under Example)
- Switch to the chord track (under Quick start guide and video)
The root note can be set by changing the parameter under key 2/bs.
- 2. trSP Transpose (under Glob Gobal page)
- 1. M.voL Master Volume (under Glob Gobal page)
Specifies the master volume as a value between 0 (silent) and 127 (max).
- 6. A.L.tr Amplitude LFO trigger (under Osc1 and Osc2 oscillator page)
- Guides, tutorials and docs
- Learning the Woovebox
- The very basics
- Quick start guide and video
- Tempo and BPM
- Tracks
- Patterns
- Live pattern recording
- Conditional triggering and modification
- Chords
- Arpeggios
- Scales and modes
- Full song writing
- Genres
- Presets
- Sound design
- Paraphonic parts
- Multi-instrument mode
- Risers, fallers, sweeps & ear candy
- Live mode
- Song mode
- Sampler
- Sidechaining, gating, ducking and compression
- Mastering
- Lo-fi & vintage analog and digital emulation
- Randomization
- Advanced techniques
- Undo
- Boot modes
- MIDI, Sync and connecting other gear
- Wireless MIDI over BLE
- Battery and charging
- Hardware quirks and limitations
- Understanding DSP load
- Looking after your Woovebox
- Firmware updates